Which is more good Hindustani classical or Carnatic music Quora?

Which is more good Hindustani classical or Carnatic music Quora?

Once you get maturity in Classical music, you can shift to any gharana and any style. Basic Difference: In this respect, Carnatic music fares much better than Hindustani music. For there is between them a basic difference in their approach to raga, sahitya and inspiration. …

Can you learn Carnatic music on your own?

You never should skip practicing the Swara to get the grip of Carnatic music. Although, it is advisable for practicing all these lessons in ragas like Shankarabharana, Kalyani, Kharaharapriya, etc to make acquainted oneself with the ragas and its Swaras.

Is it good to learn Carnatic music?

It improves listening skills. Identifying ragas is an integral part of learning Carnatic music. Learning and listening to Indian classical music builds your ability to distinguish pitch, melody, tempo, and more. Learning Carnatic music connects you to your cultural roots.

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How do I become a better Carnatic singer?

But, the traditional teaching of Carnatic music, emphasizes on the trained use of the voice, so that the singers face the situation with less difficulty. However, good sleep, balanced food and the right use of techniques (music, breathing and amplification) will minimize the stress and help them perform comfortably.

Why do Carnatic singers have to give frequent concerts?

It is true that a singer has to give frequent concerts during such situations. But, the traditional teaching of Carnatic music, emphasizes on the trained use of the voice, so that the singers face the situation with less difficulty.

Is there any Carnatic music in Chennai?

As the famous Margazhi Music Season that attracts classical music lovers from all over the world to Chennai begins this month, we are happy to present our second annual series on Carnatic music.

Who are the Akkarai Sisters of Carnatic music?

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People in Delhi called them Akkarai Sisters, the duo that are now rated among the top in Carnatic music. By the time she was 12, Subhalakshmi was skilled enough to play anything – be it complex sangathis, phrases, korvais or even ragas that she may not have heard before – on her violin.